Opera
Roberto Devereux
, , , , April 2026
The opera
- Composer
- Gaetano Donizetti
Conductor and director
-
Conductor
Renato Palumbo
-
Director Alfonso Antoniozzi
Characters and cast
-
Soprano
Elisabetta
Karen Gardeazabal
-
Mezzo-soprano
Sara
Raffaella Lupinacci
-
Tenor
Roberto Devereux
Francesco Demuro
-
Il Duca di Nottingham Vladimir Stoyanov
-
Lord Cecil Pierluigi D’Aloia
-
Sir Gualtiero Nicolò Donini
-
Un paggio Tommaso Norelli
-
Un familiare di Nottingham Giuseppe Nicodemo
-
Attori Domenico Indiveri
-
Attori Giacomo Gaetano Liva
-
Attori Giordano Boschi
-
Attori Lisa Manzini
-
Attori Lucia Fontanelli
-
Elisabetta Ekaterina Bakanova
-
Mezzo-soprano
Sara
Aoxue Zhu
-
Roberto Devereux Matteo Desole
-
Il Duca di Nottingham Simone Piazzola
-
Lord Cecil Pierluigi D’Aloia
-
Sir Gualtiero Nicolò Donini
-
Un paggio Sandro Pucci
-
Un familiare di Nottingham Gianluca Monti
-
Attori Domenico Indiveri
-
Attori Giacomo Gaetano Liva
-
Attori Giordano Boschi
-
Attori Lisa Manzini
-
Attori Lucia Fontanelli
-
Soprano
Elisabetta
Karen Gardeazabal
-
Mezzo-soprano
Sara
Raffaella Lupinacci
-
Tenor
Roberto Devereux
Francesco Demuro
-
Il Duca di Nottingham Vladimir Stoyanov
-
Lord Cecil Pierluigi D’Aloia
-
Sir Gualtiero Nicolò Donini
-
Un paggio Tommaso Norelli
-
Un familiare di Nottingham Giuseppe Nicodemo
-
Attori Domenico Indiveri
-
Attori Giacomo Gaetano Liva
-
Attori Giordano Boschi
-
Attori Lisa Manzini
-
Attori Lucia Fontanelli
-
Elisabetta Ekaterina Bakanova
-
Mezzo-soprano
Sara
Aoxue Zhu
-
Roberto Devereux Matteo Desole
-
Il Duca di Nottingham Simone Piazzola
-
Lord Cecil Pierluigi D’Aloia
-
Sir Gualtiero Nicolò Donini
-
Un paggio Sandro Pucci
-
Un familiare di Nottingham Gianluca Monti
-
Attori Domenico Indiveri
-
Attori Giacomo Gaetano Liva
-
Attori Giordano Boschi
-
Attori Lisa Manzini
-
Attori Lucia Fontanelli
-
Soprano
Elisabetta
Karen Gardeazabal
-
Mezzo-soprano
Sara
Raffaella Lupinacci
-
Tenor
Roberto Devereux
Francesco Demuro
-
Il Duca di Nottingham Vladimir Stoyanov
-
Lord Cecil Pierluigi D’Aloia
-
Sir Gualtiero Nicolò Donini
-
Un paggio Tommaso Norelli
-
Un familiare di Nottingham Giuseppe Nicodemo
-
Attori Domenico Indiveri
-
Attori Giacomo Gaetano Liva
-
Attori Giordano Boschi
-
Attori Lisa Manzini
-
Attori Lucia Fontanelli
Orchestra and chorus
-
Orchestra Orchestra
-
Chorus Coro
-
Chorus master Giovanni Farina
Creative team
- Sets
- Monica Manganelli
- Costumes
- Gianluca Falaschi
- Lighting
- Paolo Liaci
- Staging revived by
- Luisa Baldinetti
- Associate costume designer
- Gian Maria Sposito
Dates and tickets
Dates and performances
-
Opening nightAt 20:00
-
Slot DAt 18:00
-
Slot BAt 16:00
-
Slot CAt 18:00
-
Slot AAt 20:00
Running time
Total 150 min. approx.
Venue
Comunale Nouveau
Details
- Production
- A staging of Fondazione Teatro Carlo Felice, Genoa
- Information
-
Based on the tragedy Elisabeth d’Angleterre by Jacques-François Ancelot.
The title belongs to the ambitious and ill-fated Earl of Essex, but the protagonist, clearly, is her: Elizabeth I Tudor, the Virgin Queen, daughter of «the terrible Henry the Eighth». More than that, the protagonist is the solitude of power, absolute on earth and disarmed before the passing of time and before feelings that can only be condemned to unhappiness, never extinguished. Like a single continuous take, Donizetti’s musical framing knows no cuts and focuses ever more closely on Elizabeth’s drama. The first act presents the four main characters and their relations (Elizabeth loves Robert, who loves Sara and is loved in return but keeps an ambiguous complaisance towards the queen; Nottingham is married to Sara and is Robert’s best friend); in the second, events rush on (Elizabeth discovers that Robert loves another, Nottingham discovers that the other is his wife); the last act is the epilogue of solitudes adrift, with the desperate reckoning between husband and wife, Robert’s farewell to life and Elizabeth’s great scene, ready to pardon but too late, exhausted and raving.In Donizetti’s day the affairs of English royalty were all the rage in opera houses. Gossip about crowned heads and evocative settings: a combination that still works today. What makes the difference between a consumer product and a work of art, in Roberto Devereux, is Donizetti’s ability to go further and show all the theatrical power and depth of bel canto.
Musical director and conductor
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